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The boudoir session was the perfect tonic. The shopping alone made me feel excited, alive, and very much in the body I’d basically ignored as I labored over successive drafts of my chapters. Suddenly I had a new desire, a goal I hadn’t let myself consider before. I’d always been “the intellectual one.” What if I could be sexy as well, at least for a few hours?
On that warm August evening, we started off the session with me in a black body suit and thigh-high stockings against white satin. Next came a series in the peignoir I wore on my honeymoon, set against blue velvet. “Beautiful. That’s perfect,” the photographer purred. I’ll admit I felt prettier with each compliment, each click of the shutter. Then came the time to take off my clothes. Raised by a mother and two older sisters who were all quite comfortable being naked in each other’s presence, I was never especially shy around other women, but I did pause for a moment.
Lingerie was one thing. Naked was the real thing.
I’d been admiring female nudes since I could remember, especially high-brow, black-and-white compositions, which sometimes produced secret stirrings that helped me understand why men enjoy porn. But those women were chosen by the (undoubtedly male) photographer as a muse, and thus were certified as beautiful works of art and emblems of desire. And just as I needed teachers to tell me I was smart, I needed the approving gaze of men to feel pretty. The light in their eyes was my proof, whether the steady flame of a lover’s or the momentary flicker of a stranger’s on the street. Without that spark, I was invisible, even to myself.
Commissioning my own nude portrait—not being tricked or charmed into by some libidinous male—suddenly felt impossibly bold, even arrogant. I was making myself into Beauty, fearlessly daring unknown eyes to see me in the flesh, even if these photos were meant for my husband’s eyes alone.
What if I didn’t make the grade?
Fortunately, I was so at ease with the photographer, so certain this was a risk I had to take for posterity, that I soon lost myself in the yoga-like shifts of my body. The photographer and I worked together: sometimes she instructed me to tilt my head back farther, turn a bit more to the right, sometimes I chose poses that felt like me. When the session ended, I was exhausted and glowing, with a new appreciation for the hard work that models do. Finishing a Ph.D. is an achievement, but those golden hours in the studio made me feel strong in a whole different way.
Back in the days when cameras needed film, there was one final step in the process—a return visit to look over the proofs. I spent the week on that same rollercoaster of hope and dread you feel when you submit a story to a magazine. Would there even be one photo worth printing? Would the camera’s cool eye show me up as ridiculous, laughable? That was the cynic’s view of the boudoir session, a way for photographers to relieve plain women of their money or even worse as a kind of masturbation, what losers must settle for when they can’t get the real thing.
I remember my heart pounding as I opened the album.
My eye settled on the first picture, the one I still use as my official erotica author photo. Not bad, I thought. You have your moments. I continued turning pages. Satin peignoir turned to bare flesh. I’d never realized my back had such a classic hourglass shape to it. Not bad at all.
Is it too pathetic to admit that I never really saw beauty in myself until I looked at those pictures?
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